CULTURAL EXPLORATION
Begin with a work, person, period, place, tradition or theme. Every card leads to public content and relationships that have passed the same publication gate.
Works & expressions
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
Public-domain English source text from Elphinstone Dayrell’s 1910 collection. This colonial-era retelling is preserved as a historical source, not presented as a contemporary or exhaustive account of Nigerian culture.
Public-domain English source text from Elphinstone Dayrell’s 1910 collection. This colonial-era retelling is preserved as a historical source, not presented as a contemporary or exhaustive account of Nigerian culture.
Public-domain English source text from Elphinstone Dayrell’s 1910 collection. This colonial-era retelling is preserved as a historical source, not presented as a contemporary or exhaustive account of Nigerian culture.
persistence can overcome great difficulty
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A lullaby over a sleeping infant traces soft desires, secret smiles and morning-like smiles stealing over its face, then turns to the cunning wiles creeping in the sleeping heart and warns that when that heart wakes a dreadful night will break.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A field of daffodils returns to the solitary mind after the encounter, showing how remembered beauty can continue to nourish feeling.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
The speaker defies personified Death as a servant of fate and chance, ending with the paradox that death itself will die.
On the empty mountain no one is seen, yet the sound of human voices carries. Returning light enters the deep wood and shines once more on the green moss.
A main proverb preserved in Walter K. Kelly's British-centered 1859 comparative collection. The exact oral origin is not asserted, and the historical saying is not presented as present-day fact or advice.
A list of slightly disarranged details of dress—a thrown lawn, a straying lace, a careless shoe-string—builds to the claim that such 'wild civility' bewitches the speaker more than art that is too precise in every part.
At dawn I leave Baidi amid rose-tinted clouds; a thousand li to Jiangling, returned in a single day. Gibbons call without cease from both banks, while my light boat has already passed ten thousand mountains.
Surprised by a moment of joy, the speaker turns instinctively to share it with someone buried in the grave, and the return of that knowledge—together with the discovery that he had briefly forgotten—becomes the worst pang except the moment of the loss itself.
A maxim in Life and Character in the 1906 edition of T. Bailey Saunders' English translation of Goethe. It is presented as a historically attributed text, not as present-day fact, diagnosis or advice.
A speaker who says he has been slain by a cruel beloved calls on death to come, orders his own shroud and coffin, and asks to be buried where no flower, friend or grieving lover can ever find the grave.
The speaker repeatedly asks God to throw away rod and wrath, pleads a willing though stumbling obedience, and argues that love, armed like an archer, will do what anger cannot.