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Poetry · Poem

Hymn of Pan

Percy Bysshe ShelleyEnglish RomanticismPoem
SOURCE TEXT · English original
FROM the forests and highlands
We come, we come;
From the river-girt islands,
Where loud waves are dumb,
Listening to my sweet pipings.
The wind in the reeds and the rushes,
The bees on the bells of thyme,
The birds on the myrtle bushes,
The cicale above in the lime,
And the lizards below in the grass,
Were as silent as ever old Tmolus was,
Listening to my sweet pipings.

Liquid Peneus was flowing,
And all dark Tempe lay
In Pelion’s shadow, outgrowing
The light of the dying day,
Speeded by my sweet pipings.
The Sileni and Sylvans and Fauns,
And the Nymphs of the woods and waves,
To the edge of the moist river-lawns,
And the brink of the dewy caves,
And all that did then attend and follow,
Were silent with love, as you now, Apollo,
With envy of my sweet pipings.

I sang of the dancing stars,
I sang of the dædal earth,
And of heaven, and the giant wars,
And love, and death, and birth.
And then I changed my pipings—
Singing how down the vale of Mænalus
I pursued a maiden, and clasp’d a reed:
Gods and men, we are all deluded thus;
It breaks in our bosom, and then we bleed.
All wept—as I think both ye now would,
If envy or age had not frozen your blood—
At the sorrow of my sweet pipings.
Cultural reading

Reading the poem

Pan claims that his piping silenced woods, waters, insects and nymphs and drew even the gods' envy, then reports changing his tune to the pursuit of a maiden who became a reed, a loss at which all his hearers wept.

Language notes

Text and edition

The English text follows the fixed historical witness in The Oxford Book of English Verse; no modern third-party translation is included.